http://twitter.com/rosannecash/status/19663973219Rosanne Cash wrote:E.C. asked if I minded they did it w/o me. Notatall. RT @blureu Elvis, Kris play 'April 5th', San Sebastián 7.25 http://tinyurl.com/2e9ujkk
Elvis & The Sugarcanes, San Sebastian (Spain), July, 2010
-
And No Coffee Table
- Posts: 3552
- Joined: Thu Aug 21, 2003 2:57 pm
Re: Elvis & The Sugarcanes, San Sebastian (Spain), July, 201
blureu tells Rosanne Cash about the "April 5th" video and gets a reply:
-
The imposter
- Posts: 600
- Joined: Tue Oct 21, 2003 4:37 am
- Location: Permanent Vacation
Re: Elvis & The Sugarcanes, San Sebastian (Spain), July, 201
I particularly liked this review! -- God (or whoever)save The Great Imposter!
http://www.noticiasdegipuzkoa.com/2010/ ... n-imposter
Elvis Costello volvió a protagonizar el domingo un brillante cierre del Heineken Jazzaldia, esta vez con una propuesta irresistible en la que revisó, en clave country, sus éxitos y protagonizó un histórico dueto con Kris Kristofferson.
Juan G. Andrés
- Martes, 27 de Julio de 2010 - Actualizado a las 04:29h.
CUALQUIERA que conozca mínimamente la trayectoria del tal Declan Patrick MacManus ha podido formularse alguna vez preguntas como las siguientes. ¿Quién demonios es Elvis Costello? ¿El mismo que hace 35 años formó parte de la new wave nacida de los rescoldos del punk? ¿Rockero aguerrido o amante de la música de raíz afroamericana? ¿Hay algún estilo que se le resista? ¿Cómo puede alguien cambiar tan radicalmente de un disco a otro y salir siempre victorioso? Ante la imposibilidad de responder convincentemente a estas cuestiones diremos que Costello es ese maravilloso impostor capaz de vestir los trajes musicales más diversos. Aunque nació a orillas del Támesis, ha asimilado tanto y tan bien los ritmos de la música del sur de EEUU que es capaz de sonar como si hubiera crecido ensayando en un granero de Alabama, Arkansas o Tennesse.
En su retorno del domingo a Donostia se caló un sombrero de campista color crema y eligió transfigurarse en un irresistible sureño intérprete de EEUU. Ya lo hizo hace tres años cuando clausuró el Jazzaldia junto al pianista Allen Toussaint, pero si entonces se trataba de curar con R&B y soul las cicatrices que el huracán Katrina dejó en Nueva Orleans, esta vez la excusa era tocar country acelerado y endiablado. El líder de The Atractions y The Imposters no se detuvo en circunloquios innecesarios. Fue pisar el escenario y disparar a bocajarro una versión de Mistery Train como tributo al monarca del rock, a quien debe su nombre artístico. Y de Elvis Presley pasó directamente a Blame It On Cain, el primero de varios de sus temas más antiguos que cobraron nueva vida en milagrosa transfiguración. El británico con las gafas de pasta más brillantes de todos los tiempos repasó -y alargó- en clave hillbilly canciones como (The Angels Wanna Wear My) Red Shoes o New Amsterdam, que incluyó citas del You"ve Got to Hide Your Love Away de los Beatles.
Para servir su particular picnic campestre invitó a The Sugarcanes, la formidable banda de bluegrass -violín, acordeón, guitarras, dobro, contrabajo y mandolina- con la que grabó Secret, Profane & Sugarcane (2009). De ese trabajo sólo indultaron tres cortes -Down Among the Wines and Spirits, Complicated Shadows y Sulphur to Sugarcane-, pues Elvis Costello prefirió tunear viejas canciones como Good Year For The Roses o Everyday I Write The Book con una pátina de country tan gruesa que a veces resultaban irreconocibles. Incluso para los costellófilos más avanzados.
El único momento en que bajó del campo a la ciudad fue cuando enchufó una guitarra eléctrica de cuatro cuerdas y sacudió la Trini con la tempestuosa The Delivery Man. El resto del concierto lo hizo con la acústica, que rasgó como si no hubiera un mañana en las versiones The Friend of The Devil y, sobre todo, en la potentísima Don"t Lie To Me. Y no sólo eso, sino que además avanzó tres composiciones inéditas: la bucólica Poor Borrowed Dress, la divertida Jimmie Standing In The Rain y la delicada A Slow Drag With Josephine, presentada como "un rock and roll de 1921".
Momento histórico
Bises con Kristofferson
En el primer bis cortó la respiración del respetable con el tema central de la película Nottingh Hill, que despojó de cualquier rastró de almíbar y revisitó en formato reducido de guitarra, bajo y acordeón. "¡Te queremos!", gritó un espectador. "Nosotros a vosotros también, individual y colectivamente", espetó Costello antes de pedir que volviera al escenario Kris Kristofferson, que antes había inaugurado la velada con un bonito y tranquilo recital en solitario. Además de una foto para la posteridad -nunca hasta ahora habían coincidido en un mismo escenario público-, el momento propició la interpretación a dúo de tres canciones, dos de Kristofferson -Pilgrim y This Old Road- y April 5th, compuesta por ambos junto a Rosanne Cash, la hijísima de Johnny. Histórico pese a los patinazos con la letra del tejano, que abandonó las tablas entre aplausos
Cuando el tejano abandonó las tablas, Elvis no había cantado aún la última palabra. Primero se llevó al sur su más primitivo hit, Alison, y después remató con una trepidante cover de Happy, aquel torpedo sonoro que Keith Richards lanzó en el Exile on Main Street. Fue un un inmejorable homenaje a The Rolling Stones y la perfecta expresión del feliz éxtasis que vivieron 3.100 espectadores que, a buen seguro, tardarán en volver a disfrutar de un espectáculo tan magno.
Algunos sugeríamos ayer que en el futuro Costello cierre vitaliciamente los conciertos de la Trini en el Heineken Jazzaldia. Es tan bueno que dan ganas de coger ahora mismo un avión directo a Santiago de Compostela para verle esta noche de nuevo en el festival Xacobeo. Que Dios -o quien sea- salve al glorioso farsante y le permita seguir ofreciendo conciertos inolvidables. Y del género musical que le venga en gana.
google translation
Elvis Costello returned to a bright star in the Sunday closing of the Heineken Jazzaldia, this time with a compelling proposition in which it reviewed in key country, their successes and starred in a historic duet with Kris Kristofferson.
Juan G. Andrew
- Tuesday, July 27, 2010 - Updated at 4:29 pm
ANYONE who minimally meet the trajectory of such Declan Patrick MacManus has ever been formulated as the following questions. Who the hell is Elvis Costello? Is the same as 35 years ago was part of the new wave born of the embers of punk? Rocker "hardened or lover of African-American roots music? Is there a style that can resist? How can someone change so radically from one disk to another and always out victorious? Unable to answer these questions convincingly say that Costello is such a wonderful impostor able to wear the most diverse musical costumes. Although born on the banks of the Thames, has absorbed so much and so well the rhythms of the music of the southern U.S. that is capable of sounding as if he had grown up practicing in a barn in Alabama, Arkansas and Tennessee.
On his return to San Sebastian on Sunday stalled a cream-colored hat and chose camper transfigured into an irresistible southern U.S. interpreter. Already did three years ago closed the Jazzaldia with pianist Allen Toussaint, but then it was cured with R & B and soul the scars of Hurricane Katrina left in New Orleans, this time the excuse was playing country accelerated and devilish. The Leader and The Imposters atractions did not stop unnecessary circumlocution. He stepped on stage and shoot at close range a version of Mystery Train as a tribute to the King of Rock, who owes his stage name. And Elvis Presley went straight to Blame It On Cain, the first of several of their older songs that gained new life in miraculous transfiguration. The British rimmed glasses with brightest of all time, and reached reviewed key-in hillbilly songs like (The Angels Want to Wear My) Red Shoes or New Amsterdam, which included quotes from You "ve Got to Hide Your Love Away The Beatles.
To serve your particular country picnic invited The Sugarcane, the formidable bluegrass band, violin, accordion, guitar, dobro, bass and mandolin, with which he recorded Secret, Profane & Sugarcane (2009). In this work only pardoned three cuts-Down Among the Wines and Spirits, Complicated Shadows and Sulphur to Sugarcane-tune for Elvis Costello chose older songs such as Good Year For The Roses or Everyday I Write The Book with a patina of country so thick that sometimes beyond recognition. Even for more advanced costellófilos.
The only time he stepped off the field when the city was plugged an electric guitar with four strings and shook with the tempestuous Trini The Delivery Man The rest of the concert he did with the acoustics, which ripped as if there were no tomorrow Version The Friend of The Devil and, above all, the potent Don 't Lie To Me. And not only that, but also advanced three new compositions: the bucolic Poor Borrowed Dress, the fun Jimmie Standing In The Rain and With delicate Josephine A Slow Drag, presented as "a 1921 rock and roll."
Historic moment
Bises with Kristofferson
In the first a breath away from the respectable with the central theme of the film Nottingham Hill, stripped of any trace of syrup and revisited in a reduced form of guitar, bass and accordion. "We love you," shouted one spectator. "We also unto you, individually and collectively," Costello blurted before asking to return to the stage Kris Kristofferson, who had earlier opened the evening with a beautiful and peaceful solo recital. In addition to a picture for posterity, never before had met in the same public stage, "when a duo led to the interpretation of three songs, two of Pilgrim and Kristofferson-This Old Road" and April 5th, consisting of both near Rosanne Cash, the Johnny hijísima. Historical blunders despite the letter of the Texan, who left the tables to applause
When the Texan tables left, Elvis had not even sung the last word. First was its most primitive south hit, Alison, and then topped with a blistering cover of Happy, that Keith Richards sound torpedo launched in Exile on Main Street. It was a an excellent tribute to The Rolling Stones and the perfect expression of ecstasy happy spectators who lived 3100, to be sure, soon be back to enjoy this great spectacle.
Some suggested yesterday that in the future Costello closed the concert with life in the Heineken Jazzaldia Trini. It's so good it makes you want to catch a plane now directly Santiago de Compostela to see him again tonight in the festival Xacobeo. May God-or whoever-Hail to the glorious fake and allow it to continue giving concerts unforgettable. And the musical genre he wants.
http://www.noticiasdegipuzkoa.com/2010/ ... n-imposter
Elvis Costello volvió a protagonizar el domingo un brillante cierre del Heineken Jazzaldia, esta vez con una propuesta irresistible en la que revisó, en clave country, sus éxitos y protagonizó un histórico dueto con Kris Kristofferson.
Juan G. Andrés
- Martes, 27 de Julio de 2010 - Actualizado a las 04:29h.
CUALQUIERA que conozca mínimamente la trayectoria del tal Declan Patrick MacManus ha podido formularse alguna vez preguntas como las siguientes. ¿Quién demonios es Elvis Costello? ¿El mismo que hace 35 años formó parte de la new wave nacida de los rescoldos del punk? ¿Rockero aguerrido o amante de la música de raíz afroamericana? ¿Hay algún estilo que se le resista? ¿Cómo puede alguien cambiar tan radicalmente de un disco a otro y salir siempre victorioso? Ante la imposibilidad de responder convincentemente a estas cuestiones diremos que Costello es ese maravilloso impostor capaz de vestir los trajes musicales más diversos. Aunque nació a orillas del Támesis, ha asimilado tanto y tan bien los ritmos de la música del sur de EEUU que es capaz de sonar como si hubiera crecido ensayando en un granero de Alabama, Arkansas o Tennesse.
En su retorno del domingo a Donostia se caló un sombrero de campista color crema y eligió transfigurarse en un irresistible sureño intérprete de EEUU. Ya lo hizo hace tres años cuando clausuró el Jazzaldia junto al pianista Allen Toussaint, pero si entonces se trataba de curar con R&B y soul las cicatrices que el huracán Katrina dejó en Nueva Orleans, esta vez la excusa era tocar country acelerado y endiablado. El líder de The Atractions y The Imposters no se detuvo en circunloquios innecesarios. Fue pisar el escenario y disparar a bocajarro una versión de Mistery Train como tributo al monarca del rock, a quien debe su nombre artístico. Y de Elvis Presley pasó directamente a Blame It On Cain, el primero de varios de sus temas más antiguos que cobraron nueva vida en milagrosa transfiguración. El británico con las gafas de pasta más brillantes de todos los tiempos repasó -y alargó- en clave hillbilly canciones como (The Angels Wanna Wear My) Red Shoes o New Amsterdam, que incluyó citas del You"ve Got to Hide Your Love Away de los Beatles.
Para servir su particular picnic campestre invitó a The Sugarcanes, la formidable banda de bluegrass -violín, acordeón, guitarras, dobro, contrabajo y mandolina- con la que grabó Secret, Profane & Sugarcane (2009). De ese trabajo sólo indultaron tres cortes -Down Among the Wines and Spirits, Complicated Shadows y Sulphur to Sugarcane-, pues Elvis Costello prefirió tunear viejas canciones como Good Year For The Roses o Everyday I Write The Book con una pátina de country tan gruesa que a veces resultaban irreconocibles. Incluso para los costellófilos más avanzados.
El único momento en que bajó del campo a la ciudad fue cuando enchufó una guitarra eléctrica de cuatro cuerdas y sacudió la Trini con la tempestuosa The Delivery Man. El resto del concierto lo hizo con la acústica, que rasgó como si no hubiera un mañana en las versiones The Friend of The Devil y, sobre todo, en la potentísima Don"t Lie To Me. Y no sólo eso, sino que además avanzó tres composiciones inéditas: la bucólica Poor Borrowed Dress, la divertida Jimmie Standing In The Rain y la delicada A Slow Drag With Josephine, presentada como "un rock and roll de 1921".
Momento histórico
Bises con Kristofferson
En el primer bis cortó la respiración del respetable con el tema central de la película Nottingh Hill, que despojó de cualquier rastró de almíbar y revisitó en formato reducido de guitarra, bajo y acordeón. "¡Te queremos!", gritó un espectador. "Nosotros a vosotros también, individual y colectivamente", espetó Costello antes de pedir que volviera al escenario Kris Kristofferson, que antes había inaugurado la velada con un bonito y tranquilo recital en solitario. Además de una foto para la posteridad -nunca hasta ahora habían coincidido en un mismo escenario público-, el momento propició la interpretación a dúo de tres canciones, dos de Kristofferson -Pilgrim y This Old Road- y April 5th, compuesta por ambos junto a Rosanne Cash, la hijísima de Johnny. Histórico pese a los patinazos con la letra del tejano, que abandonó las tablas entre aplausos
Cuando el tejano abandonó las tablas, Elvis no había cantado aún la última palabra. Primero se llevó al sur su más primitivo hit, Alison, y después remató con una trepidante cover de Happy, aquel torpedo sonoro que Keith Richards lanzó en el Exile on Main Street. Fue un un inmejorable homenaje a The Rolling Stones y la perfecta expresión del feliz éxtasis que vivieron 3.100 espectadores que, a buen seguro, tardarán en volver a disfrutar de un espectáculo tan magno.
Algunos sugeríamos ayer que en el futuro Costello cierre vitaliciamente los conciertos de la Trini en el Heineken Jazzaldia. Es tan bueno que dan ganas de coger ahora mismo un avión directo a Santiago de Compostela para verle esta noche de nuevo en el festival Xacobeo. Que Dios -o quien sea- salve al glorioso farsante y le permita seguir ofreciendo conciertos inolvidables. Y del género musical que le venga en gana.
google translation
Elvis Costello returned to a bright star in the Sunday closing of the Heineken Jazzaldia, this time with a compelling proposition in which it reviewed in key country, their successes and starred in a historic duet with Kris Kristofferson.
Juan G. Andrew
- Tuesday, July 27, 2010 - Updated at 4:29 pm
ANYONE who minimally meet the trajectory of such Declan Patrick MacManus has ever been formulated as the following questions. Who the hell is Elvis Costello? Is the same as 35 years ago was part of the new wave born of the embers of punk? Rocker "hardened or lover of African-American roots music? Is there a style that can resist? How can someone change so radically from one disk to another and always out victorious? Unable to answer these questions convincingly say that Costello is such a wonderful impostor able to wear the most diverse musical costumes. Although born on the banks of the Thames, has absorbed so much and so well the rhythms of the music of the southern U.S. that is capable of sounding as if he had grown up practicing in a barn in Alabama, Arkansas and Tennessee.
On his return to San Sebastian on Sunday stalled a cream-colored hat and chose camper transfigured into an irresistible southern U.S. interpreter. Already did three years ago closed the Jazzaldia with pianist Allen Toussaint, but then it was cured with R & B and soul the scars of Hurricane Katrina left in New Orleans, this time the excuse was playing country accelerated and devilish. The Leader and The Imposters atractions did not stop unnecessary circumlocution. He stepped on stage and shoot at close range a version of Mystery Train as a tribute to the King of Rock, who owes his stage name. And Elvis Presley went straight to Blame It On Cain, the first of several of their older songs that gained new life in miraculous transfiguration. The British rimmed glasses with brightest of all time, and reached reviewed key-in hillbilly songs like (The Angels Want to Wear My) Red Shoes or New Amsterdam, which included quotes from You "ve Got to Hide Your Love Away The Beatles.
To serve your particular country picnic invited The Sugarcane, the formidable bluegrass band, violin, accordion, guitar, dobro, bass and mandolin, with which he recorded Secret, Profane & Sugarcane (2009). In this work only pardoned three cuts-Down Among the Wines and Spirits, Complicated Shadows and Sulphur to Sugarcane-tune for Elvis Costello chose older songs such as Good Year For The Roses or Everyday I Write The Book with a patina of country so thick that sometimes beyond recognition. Even for more advanced costellófilos.
The only time he stepped off the field when the city was plugged an electric guitar with four strings and shook with the tempestuous Trini The Delivery Man The rest of the concert he did with the acoustics, which ripped as if there were no tomorrow Version The Friend of The Devil and, above all, the potent Don 't Lie To Me. And not only that, but also advanced three new compositions: the bucolic Poor Borrowed Dress, the fun Jimmie Standing In The Rain and With delicate Josephine A Slow Drag, presented as "a 1921 rock and roll."
Historic moment
Bises with Kristofferson
In the first a breath away from the respectable with the central theme of the film Nottingham Hill, stripped of any trace of syrup and revisited in a reduced form of guitar, bass and accordion. "We love you," shouted one spectator. "We also unto you, individually and collectively," Costello blurted before asking to return to the stage Kris Kristofferson, who had earlier opened the evening with a beautiful and peaceful solo recital. In addition to a picture for posterity, never before had met in the same public stage, "when a duo led to the interpretation of three songs, two of Pilgrim and Kristofferson-This Old Road" and April 5th, consisting of both near Rosanne Cash, the Johnny hijísima. Historical blunders despite the letter of the Texan, who left the tables to applause
When the Texan tables left, Elvis had not even sung the last word. First was its most primitive south hit, Alison, and then topped with a blistering cover of Happy, that Keith Richards sound torpedo launched in Exile on Main Street. It was a an excellent tribute to The Rolling Stones and the perfect expression of ecstasy happy spectators who lived 3100, to be sure, soon be back to enjoy this great spectacle.
Some suggested yesterday that in the future Costello closed the concert with life in the Heineken Jazzaldia Trini. It's so good it makes you want to catch a plane now directly Santiago de Compostela to see him again tonight in the festival Xacobeo. May God-or whoever-Hail to the glorious fake and allow it to continue giving concerts unforgettable. And the musical genre he wants.
-
The imposter
- Posts: 600
- Joined: Tue Oct 21, 2003 4:37 am
- Location: Permanent Vacation
Re: Elvis & The Sugarcanes, San Sebastian (Spain), July, 201
Now for the 2nd part of my account:
I enjoyed Kris' show and was surprised at how many of his songs were anti war or overtly political. He spoke of Los Desaparecidos of Argentina, the Sandanistas and also of the killing (by the US Clinton administration) of a prominent Iraqi singer.
Elvis sounded a little croaky at first but , as often the case, his voice soon warmed up. He endeared himself to the crowd with some choice Basque phrases.. "Kaixo Donosti" (Hello San Sebastian) "Zer Moduz?" (How are ya?) "Eskerrik asko" (Thanks) and "Gabon" (Goodnight) There were also some Spanish style handclaps in "Complicated Shadows" and "Don't Lie To Me".
Lyric prompts were put on stage for the encore of "She", a regular in the set for his Europe shows. Funny how Elvis seems to have difficulty remembering this! Then Elvis announced "The moment I've been waiting for.." before welcoming back Kris Kristofferson. You could sense that these are the moments that Elvis loves. You sense he would have gone to San Sebastian just to have the opportunity to play these 3 songs with Kris.
I was privelidged to witness this unique moment, the highlight being the CCK or KCC composition "April 5th" (I Believe in You) Perhaps inevitably Kris DID fluff his lines a little in the only verse he had to remember, bless him, but the crowd and Costello were kindly forgiving.
The band then returned for a final encore featuring "Alison" containing lines from "The Wind Cries Mary" and what appeared to be "Somewhere Over The Rainbow". The show ended around 0020h with an appropriate and rousing rendition of "Happy"
We rushed round to the stage exit after the show as several of the Canes were leaving. I congratulated each one I saw. One cheeky friend of mine even claimed a beer from Stuart Duncan. A short while later Elvis emerged still exhilarated about the show. "Wasn't that Great? " he kept repeating. I shook his hand, thanked him for coming (as always)and asked a couple of other things that shall remain personal.. I asked about Diana & the kids, he replied they were fine & that he was off to see them the next day (Monday). A couple of photos later and an energised,even youthful looking Elvis climbed in his van and disappeared into the night.
We rounded off the night at a terrace disco by the harbour before heading off to a club where a French band named "The Jouby's" were playing some very danceable ska beats. I said I'd give them a mention here. It was a great way to finish a fantastic day around 5am.
I enjoyed Kris' show and was surprised at how many of his songs were anti war or overtly political. He spoke of Los Desaparecidos of Argentina, the Sandanistas and also of the killing (by the US Clinton administration) of a prominent Iraqi singer.
Elvis sounded a little croaky at first but , as often the case, his voice soon warmed up. He endeared himself to the crowd with some choice Basque phrases.. "Kaixo Donosti" (Hello San Sebastian) "Zer Moduz?" (How are ya?) "Eskerrik asko" (Thanks) and "Gabon" (Goodnight) There were also some Spanish style handclaps in "Complicated Shadows" and "Don't Lie To Me".
Lyric prompts were put on stage for the encore of "She", a regular in the set for his Europe shows. Funny how Elvis seems to have difficulty remembering this! Then Elvis announced "The moment I've been waiting for.." before welcoming back Kris Kristofferson. You could sense that these are the moments that Elvis loves. You sense he would have gone to San Sebastian just to have the opportunity to play these 3 songs with Kris.
I was privelidged to witness this unique moment, the highlight being the CCK or KCC composition "April 5th" (I Believe in You) Perhaps inevitably Kris DID fluff his lines a little in the only verse he had to remember, bless him, but the crowd and Costello were kindly forgiving.
The band then returned for a final encore featuring "Alison" containing lines from "The Wind Cries Mary" and what appeared to be "Somewhere Over The Rainbow". The show ended around 0020h with an appropriate and rousing rendition of "Happy"
We rushed round to the stage exit after the show as several of the Canes were leaving. I congratulated each one I saw. One cheeky friend of mine even claimed a beer from Stuart Duncan. A short while later Elvis emerged still exhilarated about the show. "Wasn't that Great? " he kept repeating. I shook his hand, thanked him for coming (as always)and asked a couple of other things that shall remain personal.. I asked about Diana & the kids, he replied they were fine & that he was off to see them the next day (Monday). A couple of photos later and an energised,even youthful looking Elvis climbed in his van and disappeared into the night.
We rounded off the night at a terrace disco by the harbour before heading off to a club where a French band named "The Jouby's" were playing some very danceable ska beats. I said I'd give them a mention here. It was a great way to finish a fantastic day around 5am.
-
sweetest punch
- Posts: 6017
- Joined: Sat Apr 03, 2004 5:49 am
- Location: Belgium
Re: Elvis & The Sugarcanes, San Sebastian (Spain), July, 201
The FM broadcast is available on Dime.
Since you put me down, it seems i've been very gloomy. You may laugh but pretty girls look right through me.
-
docinwestchester
- Posts: 2321
- Joined: Thu Apr 08, 2010 7:58 pm
- Location: Westchester County, NY
Re: Elvis & The Sugarcanes, San Sebastian (Spain), July, 201
http://www.dimeadozen.org/torrents-deta ... ?id=314857sweetest punch wrote:The FM broadcast is available on Dime.
-
sweetest punch
- Posts: 6017
- Joined: Sat Apr 03, 2004 5:49 am
- Location: Belgium
Re: Elvis & The Sugarcanes, San Sebastian (Spain), July, 201
Lot's of great pictures: http://www.denaflows.com/Photos/Concert ... /index.php
Since you put me down, it seems i've been very gloomy. You may laugh but pretty girls look right through me.
Re: Elvis & The Sugarcanes, San Sebastian (Spain), July, 201
A message (to John E. on listserv) from my friend in Spain.
"Tonight will be aired on TVE the last show of E.Costello & The
Sugarcranes w/K.Kristtoferson on Spansih TV."
Some photos -
http://www.flickr.com/photos/heineken_j ... 559051276/
"Tonight will be aired on TVE the last show of E.Costello & The
Sugarcranes w/K.Kristtoferson on Spansih TV."
Some photos -
http://www.flickr.com/photos/heineken_j ... 559051276/
-
docinwestchester
- Posts: 2321
- Joined: Thu Apr 08, 2010 7:58 pm
- Location: Westchester County, NY
Re: Elvis & The Sugarcanes, San Sebastian (Spain), July, 201
Great video uploaded on Dime tonight:johnfoyle wrote:A message (to John E. on listserv) from my friend in Spain.
"Tonight will be aired on TVE the last show of E.Costello & The
Sugarcranes w/K.Kristtoferson on Spansih TV."
http://www.dimeadozen.org/torrents-deta ... ?id=319976
Check out these clips:
http://vimeo.com/14567995
Friend Of The Devil
http://vimeo.com/14565892
Mystery Train
-
Jeremy Dylan
- Posts: 934
- Joined: Thu Oct 15, 2009 6:39 pm
- Location: Sydney, Australia
- Contact:
Re: Elvis & The Sugarcanes, San Sebastian (Spain), July, 201
Our first full 'Canes TV broadcast - a lot longer than ACL. Great version of Poor Borrowed Dress, even though Dennis's bass lead seems to be unplugged for the first part.
Re: Elvis & The Sugarcanes, San Sebastian (Spain), July, 201
Just watched this and I'm so mad with myself for not making the effort and getting to see one of the 'Canes shows in Europe in July , my time in Africa making the Dublin show in June impossible to attend. What an incredibly tight set-up, clearly benefiting from a month on the road. Elvis' voice is in astonishing shape, never pitching too high, always supremely controlled. So many highlights - even She made compelling viewing, with its winning interplay of stand-up bass and accordian. Elvis sweating buckets gives more and more resolve to the songs. Kris Kristofferson's faltering performance is engrossing. His calm, commanding composure lets you know that this how he is , take it or leave it. He's unafraid to openly ask for help with the words from Elvis and Elvis just gives it, no smarty pants eyebrow raising or sideways smug grinning , that might have been more common reaction, trying to make light of the situation. An astonishing piece of viewing, regardless of the music.
This piece of tv would be just perfect as a marketing tool for National Ransom, offered to tv stations or as a dvd supplement to an edition of the album or something. A absolute killer of a show.
This piece of tv would be just perfect as a marketing tool for National Ransom, offered to tv stations or as a dvd supplement to an edition of the album or something. A absolute killer of a show.
-
docinwestchester
- Posts: 2321
- Joined: Thu Apr 08, 2010 7:58 pm
- Location: Westchester County, NY
Re: Elvis & The Sugarcanes, San Sebastian (Spain), July, 201
Beautifully produced video combined with stunning performance makes this a must have DVD.johnfoyle wrote: This piece of tv would be just perfect as a marketing tool for National Ransom, offered to tv stations or as a dvd supplement to an edition of the album or something. A absolute killer of a show.
Re: Elvis & The Sugarcanes, San Sebastian (Spain), July, 201
Can this be shared with the group outside of Dime?
-
docinwestchester
- Posts: 2321
- Joined: Thu Apr 08, 2010 7:58 pm
- Location: Westchester County, NY
Re: Elvis & The Sugarcanes, San Sebastian (Spain), July, 201
There are two songs you can watch via these internet links:blureu wrote:Can this be shared with the group outside of Dime?
http://vimeo.com/14567995
Friend Of The Devil
http://vimeo.com/14565892
Mystery Train
I can put some more on YouTube.
Re: Elvis & The Sugarcanes, San Sebastian (Spain), July, 201
For those who are not Dimers, I can burn a few copies of this show and mail out. Those interested , just drop me a pm with your snailmail and I send you a copy. First come first serve basis. Five copies up for grabs!
-
docinwestchester
- Posts: 2321
- Joined: Thu Apr 08, 2010 7:58 pm
- Location: Westchester County, NY
Re: Elvis & The Sugarcanes, San Sebastian (Spain), July, 201
Complete TV broadcast on YouTube for all to enjoy:
http://www.youtube.com/watch?v=5Qf3bwIphfg - Mystery Train
http://www.youtube.com/watch?v=07mvJOKcOqY - Blame It On Cain (w/band intros)
http://www.youtube.com/watch?v=1iokacb9Obg - New Amsterdam/You've Got To Hide Your Love Away
http://www.youtube.com/watch?v=_4pTBZ_3QuM - A Good Year For The Roses
http://www.youtube.com/watch?v=3EnqksUMO3E - Complicated Shadows
http://www.youtube.com/watch?v=UM0l3MM5mvw - (The Angels Wanna Wear My) Red Shoes
http://www.youtube.com/watch?v=cOIN8L58gKs - Poor Borrowed Dress
http://www.youtube.com/watch?v=1FqwAOTuFPk - The Delivery Man
http://www.youtube.com/watch?v=eXdKtxeqY94 - Jimmie Standing In The Rain
http://www.youtube.com/watch?v=TuMEWXZcM-s - Friend Of The Devil
http://www.youtube.com/watch?v=6tsrwdcw37o - Everyday I Write The Book
http://www.youtube.com/watch?v=0T5LKe8hSsY - Don't Lie To Me
http://www.youtube.com/watch?v=cacmB-JjZJ4 - She
http://www.youtube.com/watch?v=HE_ni6VV8As - This Old Road (w/Kris Kristofferson)
http://www.youtube.com/watch?v=GO3fkbRq8O0 - The Pilgrim, Chapter 33 (w/Kris Kristofferson)
http://www.youtube.com/watch?v=BVse9V0-3ok - April 5th (w/Kris Kristofferson)
http://www.youtube.com/watch?v=4dk9FLtsQNE - Sulfur To Sugarcane
http://www.youtube.com/watch?v=pWFPXRgtnrw - Happy
http://www.youtube.com/watch?v=5Qf3bwIphfg - Mystery Train
http://www.youtube.com/watch?v=07mvJOKcOqY - Blame It On Cain (w/band intros)
http://www.youtube.com/watch?v=1iokacb9Obg - New Amsterdam/You've Got To Hide Your Love Away
http://www.youtube.com/watch?v=_4pTBZ_3QuM - A Good Year For The Roses
http://www.youtube.com/watch?v=3EnqksUMO3E - Complicated Shadows
http://www.youtube.com/watch?v=UM0l3MM5mvw - (The Angels Wanna Wear My) Red Shoes
http://www.youtube.com/watch?v=cOIN8L58gKs - Poor Borrowed Dress
http://www.youtube.com/watch?v=1FqwAOTuFPk - The Delivery Man
http://www.youtube.com/watch?v=eXdKtxeqY94 - Jimmie Standing In The Rain
http://www.youtube.com/watch?v=TuMEWXZcM-s - Friend Of The Devil
http://www.youtube.com/watch?v=6tsrwdcw37o - Everyday I Write The Book
http://www.youtube.com/watch?v=0T5LKe8hSsY - Don't Lie To Me
http://www.youtube.com/watch?v=cacmB-JjZJ4 - She
http://www.youtube.com/watch?v=HE_ni6VV8As - This Old Road (w/Kris Kristofferson)
http://www.youtube.com/watch?v=GO3fkbRq8O0 - The Pilgrim, Chapter 33 (w/Kris Kristofferson)
http://www.youtube.com/watch?v=BVse9V0-3ok - April 5th (w/Kris Kristofferson)
http://www.youtube.com/watch?v=4dk9FLtsQNE - Sulfur To Sugarcane
http://www.youtube.com/watch?v=pWFPXRgtnrw - Happy
-
EarlManchester
- Posts: 175
- Joined: Sun Jun 08, 2003 6:41 pm
- Location: In the liberated territories
Re: Elvis & The Sugarcanes, San Sebastian (Spain), July, 201
Great job!
Many thanks!docinwestchester wrote:Complete TV broadcast on YouTube for all to enjoy:
http://www.youtube.com/watch?v=5Qf3bwIphfg - Mystery Train
http://www.youtube.com/watch?v=07mvJOKcOqY - Blame It On Cain (w/band intros)
http://www.youtube.com/watch?v=1iokacb9Obg - New Amsterdam/You've Got To Hide Your Love Away
http://www.youtube.com/watch?v=_4pTBZ_3QuM - A Good Year For The Roses
http://www.youtube.com/watch?v=3EnqksUMO3E - Complicated Shadows
http://www.youtube.com/watch?v=UM0l3MM5mvw - (The Angels Wanna Wear My) Red Shoes
http://www.youtube.com/watch?v=cOIN8L58gKs - Poor Borrowed Dress
http://www.youtube.com/watch?v=1FqwAOTuFPk - The Delivery Man
http://www.youtube.com/watch?v=eXdKtxeqY94 - Jimmie Standing In The Rain
http://www.youtube.com/watch?v=TuMEWXZcM-s - Friend Of The Devil
http://www.youtube.com/watch?v=6tsrwdcw37o - Everyday I Write The Book
http://www.youtube.com/watch?v=0T5LKe8hSsY - Don't Lie To Me
http://www.youtube.com/watch?v=cacmB-JjZJ4 - She
http://www.youtube.com/watch?v=HE_ni6VV8As - This Old Road (w/Kris Kristofferson)
http://www.youtube.com/watch?v=GO3fkbRq8O0 - The Pilgrim, Chapter 33 (w/Kris Kristofferson)
http://www.youtube.com/watch?v=BVse9V0-3ok - April 5th (w/Kris Kristofferson)
http://www.youtube.com/watch?v=4dk9FLtsQNE - Sulfur To Sugarcane
http://www.youtube.com/watch?v=pWFPXRgtnrw - Happy
-
Top balcony
- Posts: 924
- Joined: Fri Sep 08, 2006 5:48 pm
- Location: Liverpool
Re: Elvis & The Sugarcanes, San Sebastian (Spain), July, 201
I'll make the same offer to 5 non-Dimers in the UK - same arrangements as above.krm wrote:For those who are not Dimers, I can burn a few copies of this show and mail out. Those interested , just drop me a pm with your snailmail and I send you a copy. First come first serve basis. Five copies up for grabs!
Colin Top Balcony
-
Man out of Time
- Posts: 1860
- Joined: Fri Jul 06, 2007 8:15 am
- Location: just off the coast of Europe
- Contact:
Re: Elvis & The Sugarcanes, San Sebastian (Spain), July, 201
A bootleg DVD is circulating which purports to include all the songs played, including three that were not broadcast. The artwork is here:
http://www.elviscostello.info/wiki/inde ... _Cover.jpg
It is for sale here:
http://www.ioffer.com/i/elvis-costello- ... -174268285
from the sort of vendor that forum members would probably wish to have nothing to do with (not least because the vendor is also offering pirate copies of episodes of Spectacle season 1 which are readily available on the official release) . Respect therefore to docinwestchester for making available the version that he did. Is there any evidence of the fuller DVD version of the concert now circulating on Dime or similar?
MOOT
http://www.elviscostello.info/wiki/inde ... _Cover.jpg
It is for sale here:
http://www.ioffer.com/i/elvis-costello- ... -174268285
from the sort of vendor that forum members would probably wish to have nothing to do with (not least because the vendor is also offering pirate copies of episodes of Spectacle season 1 which are readily available on the official release) . Respect therefore to docinwestchester for making available the version that he did. Is there any evidence of the fuller DVD version of the concert now circulating on Dime or similar?
MOOT